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Digging around music stores and artsy cafes got me nowhere and, to this day, I have yet to see a Russian anywhere reading a comic book or graphic novel. But after four months in Moscow, I’ve found that creepy dudes are everywhere, I squeeze into cramped, tiny spaces every time I ride public transportation, and, frankly speaking, I’ve got no immediate prospects for any dates on this continent.But thanks to a link from a commenter over at Sean’s Russia Blog (hat tip to Chrisius Maximus), I located Pangloss (M: Kitai-Gorod, B. So, I hopped on the subway and prepared my best slurry-tenor-man-accent (usually reserved for negotiating cab fares) to meet the comics [Grandpa Frost], which I will review at a later date. Having finished the three collections, I can say that overall the level of artwork and story-telling was lower than what I see coming out in America, Europe, and Japan.Khikhus’s story from Napoleon is re-printed here, along with an inventive story of romance, discontent and artistic inspiration.(See below.) On the universal comics-navel-gazing tip, Askol’d Akashin delves into his boyhood fascination with American super-heroes, while Aleks Hatchett and Bogdan bemoan the difficulties of finding Russian comics.
Under the guidance of the famous Russian art patron and collector, head of the Artchronika Cultural Foundation and initiator of the Kandinsky Prize Shalva Breus, a new centre is being created here.
Unfortuantely, editor Sokolov constricts them with the task of writing a story related to the title of the collection, a slogan supposed written on the door of every home Napoleon resided in.
It’s a playful idea, but prohibitively obscure, to my mind, to allow for much creative work in terms of content.
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